A new Hot Mess project.
I was in a play October/November of 2018 and got a review from Gil Benbrook. One day this experience and the affect it had on my life in all its gooey bits will be shared. For now. I am excited for 2019 and grateful for having a little more insight towards the greater goal (which is still under construction). .
Review by Gil Benbrook | Season Schedule
Tina Khalil, Shelly Boucher, and Jacque Arend
Photo by Carly Weekley
Playwrights Jessie Jones, Nicholas Hope, and Jamie Wooten have crafted a fairly successful career out of their series of fun comedies that center on eccentric southern characters. While their The Red Velvet Cake War may not be as well constructed as some of their other comedies, TheaterWorks’ production features a cast who throw themselves into these wacky and outrageous characters with glee, including Jacque Arend who is superb as the frazzled Gaynelle Verdeen Bodeen.
The plot centers around the members of the Verdeen family, including the three close cousins Gaynelle, Peaches, and Jimmie, as they face a series of obstacles. Gaynelle is on edge after she recently and “accidental” crashed her car into her husband’s girlfriend’s doublewide trailer and because of that incident could be declared insane. Fear of how that escapade has tarnished the family name has forced Aunt LaMerle to cancel the upcoming family reunion. But Peaches and Jimmie have a plan: if Gaynelle can successfully host the reunion surely that will prove she’s sane to the court-appointed psychologist who has been assigned to her case. When Aunt LaMerle gets wind of the cousins’ plan, it sets her tongue a-wagging. But Gaynelle has had enough of her aunt’s self-righteous attitude, so bets that not only can she pull the reunion off but that her red velvet cake will beat LaMerle’s prize-winning dessert in a taste test. With her house as the wager, Gaynelle has even bigger problems; she has no idea how to make a red velvet cake.
Jones, Hope and Wooten have come up with a fun and fast-paced plot with some very funny moments, but the silly sitcom style and over the top characters threaten to derail it at times. Fortunately, director Dominik Rebilas keeps the pace brisk and the comedy in check; in spite of it being broad, it never gets too unbelievable or out of control. He also ensures the entire cast are equipped for the farce-like second act in which the three doors on William Symington’s smart set are constantly in motion. The cast also look great in Whitney Tres’ costumes which deliver some big laughs, including the tight-fitting numbers for Peaches.
With an urgency in her line delivery and a rich Southern accent that resembles a young Holly Hunter at times, Jacque Arend has the right level of spunkiness and uncertainty to provide plenty of layers in her portrayal of the troubled Gaynelle. She also has expert comic timing and a deep sense of tenacity. Arend beautifully evokes this fragile, crazed and unpredictable woman who is at wit’s end. Shelly Boucher and Tina Khalil are hilarious, with humorous line delivery and good comic chips, as her two cousins, the sex-crazed, mortuary cosmetologist Peaches and the rough and tough, tomboyish, western wear store manager Jimmie. Arend, Boucher and Khalil also create characters that evoke a firm, close-knit sisterly relationship which ensures there is also plenty of heart and a realistic family bond portrayed in their performances.
In the supporting cast, Peter Cunniff is a hoot as the dim-witted, one-eyed suitor Newt, and Christy Welty is an absolute pain in the ass as Aunt LaMerle. Amanda Kei Glenn is full of fire as a feisty neighbor, and Peter J. Hart is humorous as the girl’s 90-year-old Uncle Aubrey, though you never once believe Hart is actually that old. Dan Clanton, Toni Jourdan, and Amber Ryan round out the cast.
The Red Velvet Cake War is an absurd, screwball comedy featuring outrageous characters and outlandish situations. It may not be a perfect comedy, but with a game cast and fast-paced direction, TheaterWorks’ production sure shows it can be a lot of fun.
The Red Velvet Cake War, through November 11, 2018, at TheaterWorks, 8355 West Peoria Avenue, Peoria AZ. Tickets can be ordered at http://theaterworks.org or by calling 623-815-7930.
Director: Dominik Rebilas
Scenic Designer: William Symington
Lighting Designer: Annie Fair
Costume Designer: Whitney Tres
Hair and Make-Up Designer: Kim Nolan
Props Designer: Petey Swartz
Sound Designer: Matthew Sanders
Stage Manager: Jenn Goettertz
Gaynelle Verdeen Bodeen: Jacque Arend
Peaches Verdeen Belrose: Shelly Boucher
Sheriff Grover Lout / Purvis Verdeen: Dan Clanton
Newt Blaylock: Peter Cunniff
Bitsy Hargis: Amanda Kei Glenn
Aubrey Verdeen: Peter J. Hart
Elsa Dowdall: Toni Jourdan
Jimmie Wyvette Verdeen: Tina Khalil
Cee Cee Windham / Mama Doll Hargis: Amber Ryan
LaMerle Verdeen Minshew: Christy Welty
I have been very open about this to many people, friends mostly. Therefore, it might seem odd to others who perhaps used to see me around a lot and always on stage. I developed a strong sense of anxiety about improv. Not the performance aspect, but of the chains I wrapped around me to keep it in place. I did truly believe Improv was it for me. The end of the road. For a time… and in reality 10 years – 13 years really, of dedication to something would be the end of the road. I’ve said out loud that I started improv because it didn’t take much discipline to enjoy – but in loving it, in finding that passion and surrounding myself with it. I became disciplined. Not only am I a stronger performer, a more capable instructor, I also learned so many skills in co-founding the Torch Theatre and building the admin as well as managing the Phoenix Improv Festival. I didn’t mind the weight of the chains. I carried them with pride. But eventually, circa last fall, my anxiety was out of control. I experienced it every day and felt like the chains were too heavy. The main trigger was time. I just never felt like I had enough time. I’ve been taking acting classes since 2016 and at first I wasn’t in a hurry. I wasn’t looking for something new, but eventually my priorities began to shift. Last year in November I took a performance break from improv. This included all my teams. It was hard, but also liberating. I had to listen to that. I am ready to work differently. People always ask me if I noticed my acting focus impacting my improv. I say not really, and the reason is, I was always an actor, and I struggled in improv not getting what I find in acting. I think it gives improv a new meaning for me. First off, it’s no longer number 1. I am number 1 now. It feels like it can get back to where it was, when I first discovered it. Collaborative, creative and great company. I’m not sure what’s next for me, and I’m certainly not going anywhere yet, but I have broken the chains and am in the woods wandering to find the next road. Which is quite adventurous and lovely, this story does not have danger in the forrest.
Last year I made a goal for myself and it’s now a year later and I have not resolved it. This is frustrating, but in the same regard, I did take action, one little step at a time. I have my first real audition for theater tonight, excited for the experience. I have always been a writer, but I never wrote for anyone but myself. I journaled a lot and when I was young and in my 20s I wrote romances, the romance writing was a way to subdue my boy crazy mind. I got married in 2012 and I stopped writing. Haha – you can make whatever connection you want. This last year I realized around that same time I stopped listening to music. My husband and I have improv in common, and I think we 100% created new identities within this unit. When he chose to break away from the Torch, I was pretty settled on trying to get out of the Theater running business all together. I had absolutely no interest in the work anymore. So I let him go on his own. This for me was a great opportunity for us to put some distance in our lives. We had both worked at the Torch together and sometimes it got very difficult as opinions would differ and frustrations rose. I think by making this change in our relationship, as well as my home office situation I was becoming more self aware and finding my identity again. Recently as I was trying to free myself, I started to be entertained by Martin Freeman, interviews, news articles, and in the process of digging out all the golden nuggets under the surface, I found music again. I have to mention that, because it was truly a profound inspiration on living a happier life. I certainly dance a lot more. I remember when I got ignited again around 24 years in age working in a restaurant with friendships and beer my main focuses. It was Shaun of the Dead. That’s when improv seemed like the right thing for me. I loved comedy, I had forgotten. Anyway, back to the writing. I had started writing again a couple years ago, maybe 3ish, maybe I never stopped, I just thought I did. I always wrote freehand. One point I thought, this is a full story, and transcribed all the print over to a document. In three days I finished copying it. I had a complete thing. Unfortunately I didn’t format it right, or provide descriptions. So it needs work and I lost focus. A couple months ago, I returned to another story I wrote, changed the stupid plot line, kept the characters, formatted it along the way and now it’s an unedited 139 pages of a confused movie idea. In exploring one very played out reality that I was addicted to living in, I got two great scenes for a one act play and a full sketch. I think my point is that I’m finishing things. Well, I’m doing things. My coach Brandy Hotchner is an amazing champion to have on your side. Much of my confidence as an artist and letting myself live as an artist, consider myself an artist was from her support and it is what’s truly led me to this new place in my life. I mentioned that writing for me seems very intimate and I almost have a strong sense of guilt for escaping. As if it’s a vice, almost dirty. She encouraged me to think on what created that and to learn to understand my own artistic process. I have to say – that did help. When you become a certain type of person with certain behaviors, it’s odd when you try to change them.
These pictures below are from the recent Phoenix Improv Festival. For another year I played in four different groups. This is a big honor that does weigh heavy on me. I appreciate the exposure and the opportunity to attack the stage, but it does take a lot of energy and sometimes I’d rather sit back and enjoy. Of course we have to mention the obvious, that’s a lot of Jacque. I did resign from the Phoenix Improv Festival this year. That might be news as well. Not for any reason other than it was time. Those chains again and I have been managing it the same way for 7 years, it’s probably time for a change. This change thing has been coming up around my fellow improv pioneers in other cities. We certainly can’t let it end with us, so we have to get out of the way.
My very first sketch class that I instructed. It was scary, exciting and rewarding – it took a long time to get these projects complete. But here they are now.
So for those of you who don’t have the pleasure of owning one of these:
This was the first PIF at the Herberger Theater. 2008.
Some things are still the same as that year. We’ve been at the Herberger Theater, staying at the Holiday Inn Express and enjoying the proximity to Space 55 ever since.
This particular year we had the closing party at Tommy Schaeffer’s and there was fried chicken. There was also a famous conversation between two legends.
Check out these workshops! Wowza. Also – cheap. Ah the good ole days.
I regret not taking one – but I was spending my third year focusing hard on hospitality and having too much fun I’m sure.
There was also a map, downtown Phoenix was a much different place back then. I remember TJ & Pete playing catch in an empty lot just across the street from Space 55. Certainly not an empty lot anymore.
So now the fun part comes in – it doesn’t stop there – oh no.
Michelle Edward, Amy Carpenter and myself made a coloring book. At the time, I new some of the people in the book, however no where near as well as I do now. Such fun to look back on. And some super clever stuff. I hope you enjoy.
So then the Mail Order Bride picture comes up and for all my fellow brides – this picture is significant to now as we celebrate our 10th yr Anniversary and are just about to release our 2017 calendar.
In conclusion – this guide was pretty rad and I love that it exists and I can happen upon it every three years or so.
If anyone wants to do this for PIF16, let’s talk.